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New beginnings don’t start with taking new steps, they start with moving in
new directions. And every new GFX System camera has taken a
direction that has redefined what it means to be More Than Full Frame.
From its unparalleled image quality, to its overall mobility,
the boundaries of large format imaging have continually been
reimagined with every new iteration.
GFX100 II continues this tradition by bringing unprecedented high-speed
performance, expanded video capabilities, and lightning fast autofocus to
a growing list of accolades that professionals
everywhere have come to rely on from GFX System cameras.
If it’s time to find some direction,
discover one to new opportunities with GFX100 II.
GFX100 II brings a new 102-megapixel sensor “GFX 102MP CMOS II HS” with a readout speed that is about two times faster than GFX100S.Combined with X-Processor 5, GFX100 II is able to achieve a high continuous frame rate of up to 8fps, surgically accurate AF, and advanced video features that have never before existed in any previous GFX System or X Series camera.
X-Processor 5 features subject detection AF, which delivers an autofocus performance previously unseen on a large format camera. Built using deep-learning AI technology, its advanced AF tracking and detection not only works on human faces and eyes, but also animals, birds, cars, motorcycles, bicycles, airplanes, and trains. With such power on tap, photographers can concentrate on creativity, confident GFX100 II will produce an autofocus performance to match.
*Set “SUBJECT DETECTION SETTING” to “BIRD” when you want to detect insects and to “AIRPLANE” when you want to detect drones.
GFX100 II uses an updated AF prediction algorithm to deliver reliable performance in sports and other situations where accurate, high-speed motion tracking is needed.
GFX100 II makes large format photography possible in previously inaccessible areas. A continuous frame rate of up to 8fps with the mechanical shutter freezes the peak of any sporting action.
Activating Boost mode on GFX100 II supercharges the display frame rate to approximately 120 frames-per-second – more than enough to keep up with fast-moving subjects.
Increased buffer memory minimizes any delay between frames and decreases viewfinder blackout times for seamless high-speed operation.
GFX100 II offers a blackout-free 5.3fps burst with for an uninterrupted view of ultra-fast subjects.* In 35mm format mode, GFX100 II offers blackout-free 8.7fps and 5.8fps burst as well.
By improving the pixel structure on the new sensor, standard sensitivity has been extended to ISO 80. Now, photographers can make 16-bit images with wider dynamic range and lower noise than ever before.
Redesigned microlenses improve light coverage at the corners of the sensor, delivering better image quality and increased AF accuracy at the periphery of the lens.
GFX100 II supports the HEIF format, a 10-bit image file with over a billion colors. It delivers higher image quality, but uses up to 30% less space than a JPEG.
For the ultimate quality, GFX100 II can produce an ultra-high-resolution 400-megapixel image with a single press of the shutter release.
Using in-body image stabilization to precisely shift the sensor by a half pixel between each frame, GFX100 II makes 20 frames in which every red, green, and blue pixel has the same information. The result is a detail-rich file with almost no false colors visible.
Enjoy the latest iteration of Fujifilm’s renowned color science – REALA ACE. Brand new for GFX100 II, this 20th Film Simulation combines faithful color reproduction with hard tonality, making it suitable for all subjects and situations
Proving itself as a hybrid powerhouse, GFX100 II offers 4K/60p and 8K/30p 4:2:2 10-bit in-camera recording. ISO 100 can also now be used as the standard movie sensitivity for the highest quality footage.
GF Format
In addition to GFX large format, GFX100 II supports various cine recording formats, including Premista, 35mm, and anamorphic (35mm). With a basic GF to PL adapter, cinematographers anywhere can use GFX100 II’s massive imaging sensor with some of the world’s most legendary cinema optics, including Fujinon’s collection of Premista and Cabrio Zoom Lenses. For storytellers with wider aspirations, there are also two different high resolution 35mm FF Anamorphic recording modes that provide various de-squeeze monitoring options in-camera.
Tracking subjects just got easier. Select AF-C mode with Wide/Tracking AF, then simply touch the subject on the rear LCD. GFX100 II will then track the object, even in situations with multiple subjects.
Follow high speed subjects with confidence – GFX100 II’s increased readout rate suppresses rolling shutter for true-to-life results.
GFX100 II is the first GFX System camera to feature F-Log2, broadening post-production flexibility. The wider dynamic range of 14+ stops* breathes more life into footage, maximizing detail in shadows, highlights and midtones.
Embrace cloud first workflows and open lines of collaboration with GFX100 II’s World First, no accessary needed integration for Frame.io Camera to Cloud and deliver photos or video straight to the cloud the moment after they are created. Utilize the built-in Wi-Fi or Ethernet LAN connection options to connect to Frame.io and deliver hi-res RAW or JPEG images, send h.264 video proxies, or upload 4k ProRes Video securely to any project for immediate review and consideration.
For added precision while using manual focus, a new Focus MAP has been added as a MF assist function.
Combined with a compatible ATOMOS HDMI device, RAW video output from GFX100 II can be recorded as 12-bit Apple ProRes RAW at resolutions up to 8K and frame rates up to 29.97fps. With Blackmagic Design Video Assist 12G HDRs, RAW video output from the camera can be recorded as Blackmagic RAW at resolutions up to 8K and frame rates up to 29.97fps.
| GTIN Number | 4547410512786 |
|---|---|
| Model | FUJIFILM GFX100 II |
| Sensor Resolution | Effective: 102 Megapixel |
| Image Stabilization | Sensor-Shift, 5-Axis |
| ISO Sensitivity |
|
| Wireless |
|
| Display Type | 3-Way Tilting Touchscreen LCD |
| Built In Flash | No |
| Lens Mount | FUJIFILM G |
| Sensor type | 43.8 x 32.9 mm (Medium Format) CMOS |
| Built-In ND Filter | None |
| Capture Type | Stills & Video |
| Shutter Type | Electronic Shutter, Mechanical Focal Plane Shutter |
| Bulb/Time Mode | Bulb Mode |
| Metering Method | Average, Center-Weighted Average, Multi, Spot, TTL 256-Zones |
| Exposure Modes | Aperture Priority, Manual, Program, Shutter Priority |
| Exposure Compensation | -5 to +5 EV (1/3 EV Steps) |
| White Balance |
|
| Interval Recording | Yes |
| Self-Timer | 2/10-Second Delay |
| Aspect Ratio | 1:1, 3:2, 4:3, 5:4, 7:6, 16:9, 65:24 |
| Image File Format | JPEG, Raw, TIFF |
| Bit Depth | 16-Bit |
| Fast-/Slow-Motion Support | Slow-Motion Only |
| Recording Limit | Up to 60 Minutes in 4K |
| Broadcast Output | NTSC/PAL |
| IP Streaming | None |
| Built-In Microphone Type | Stereo |
| Audio Recording | 24-Bit 48 kHz LPCM Audio |
| Video I/O | 1 x HDMI (Unspecified Signal) Output |
| Audio I/O |
|
| Power I/O | 1 x USB-C Input/Output |
| Other I/O |
|
| Mobile App Compatible |
|
| Global Positioning (GPS, GLONASS, etc.) |
|
| Monitor Size | 3.2" |
| Type (Viewfinder) | Top: 2.09" LCD Status Display |
| Size (Viewfinder) | 0.64" |
| Eye Point (Viewfinder) | 21 mm |
| Coverage (Viewfinder) | 100% |
| Magnification (Viewfinder) | Approx. 1x |
| Focus Type | Auto and Manual Focus |
| Focus Mode | Continuous-Servo AF, Manual Focus, Single-Servo AF |
| Maximum Sync Speed | 1/125 Second |
